Fellow headliners Aretha Franklin and Jeff Beck, along with guests like Mick Jagger and Ozzy Ozbourne, celebrate night two of Hall of Fame 25th Anniversary. By Saimon Kos U2′s Bono and Black Eyed Peas’ Fergie Photo: Stephen Lovekin/ Getty Images NEW YORK — For the second night in a row, Tom Hanks walked onstage at Madison Square Garden to do the introduction for the Rock and Roll Hall of Fame 25th Anniversary Concert , and for the second night in a row some of the greatest rock acts of all time shared the stage. Performances varied from classic hits to once-in-a-lifetime collaborations as Aretha Franklin, Jeff Beck, Metallica and U2 all brought out big-name guests
Archive for October, 2009
U2, Metallica Bring History-Making Collaborations To Rock Hall Concert
Think About Life - "Havin’ My Baby"
“Havin’ My Baby”, a song with a sped-up, “chipmunked” sample of frenetic, juice-dripping soul running through it, comes to us courtesy of Canadian Casio noodlers Think About Life . Given some of the so-so material on their self-titled album , you get the feeling that the might not realize just how grand and epochal the blend they’ve stumbled onto really is: “Havin’ My Baby” is something like Dear Science mashed up with the Avalanches’ “Since I Left You” , only played fast
Sleigh Bells - "Crown on the Ground"
The first thing you notice about Sleigh Bells ‘ “Crown on the Ground” is that it is LOUD. Punishingly loud. The treble blares with such intensity that most listeners’ first instinct is to immediately adjust the EQ and turn down the volume– and even then, it hurts a little just to hear it
Glastonbury panoramas: The Park in the dark
Hey folks.
Mendo – Remember – Cadenza
Cadenza put out a fine balance between more pumping functional club tracks and their more experimental detailed releases and this definitely falls into the first category.
Kowton – Stasis (G Mix) – Keysound
Dark, revival garage sounds at a 33rpm reduction, from the Bristol-based producer Stasis, complimented with a re-lick on the flip, tweaking the formula.
Subenna – Solidify feat Jamie Woon & Om’mas Keith – Planet Mu
The dulcet tones of Jamie Woon never fail to please, and some of his best work is backed by the phantasm of electronic music. Subenna does well here
Brother Culture feat Ghetto Priest – Willing & Able – Reggae Roast
Isn’t it great to have a CD of one drop riddims on the stereo, the sunshine streaming through the window and a cold Red Stripe in the hand.
TRG – EP – Tempa
A pleasingly gratuitous double pack from TRG, Bucharest’s best-loved producer, which sees him truly come alive on this expansive canvas. With eight golden opportunities to hunt down bass music over a battlefield of funky, techno, electro and even disco influences, this EP never feels like it stops to rest, presenting a sense of agitation and impatience to move forward. A robust re-visioning of dubstep, stretched and prodded to its funkier limits
Invasion Vs Shackleton – Wizards In Dub – Less Music
Not a lot of information on who Invasion is, but those with a more progressive palate will be fully tuned into the sonic landscape of Shackleton. When I saw the Skull Disco boss at The Big Chill this year I thought Armageddon was upon us; a fearsome bass-caked barrage assaulted the senses.
Darkstar – Aidy’s Girl Is A Computer – Hyperdub
One of the highlights from the ‘Hyperdub 5′ compilation, the extra-curricular stalwarts that comprise Darkstar continue to re-assemble their beautifully abstract shapes into patterns that flirt with the very idea of dubstep, but never really take its ethos on, preferring to exist outside. And this wonderfully charming track will delight all who listen; it’s simply a gem. 18-year old Detroit resident and Omar S protégé Kyle Hall goes in deep and jazzy with the remix
Mrk 1 – X-Tatik – Contagious
When away from the noisy carbuncle of the Virus Syndicate, Mrk 1 can often lay down a mean riddim that doesn’t sound like it’s attempting to induce a migraine. Sadly, the Manchester producer is still clearly being booked at too many underage or student raves where pointless mid-range wobble is party currency. I would have expected a head of his experience to be moving his sound in new directions, but this sounds very tired indeed
Scuba – Aesaunic EP – Hotflush
In a past life, Paul Rose, aka Scuba, was probably a pharmacologist or something equally scientific, as his song titles are often clinical descriptions of liquid states, or bizarre experiments with embalming. I wouldn’t be surprised to discover that Mr Body Works, the Gunther geezer, was a fan of his music and regularly got inspiration for injecting penises with plastic from a night at Berghain.
Matt-U – Can’t Wake Up – Boka
If anyone doubted dubstep’s ever expanding reach, then let the sounds of Matt-U from Hungary wipe the taste of Croydon firmly out of your mouth. Still stinking of lacquer from his True Tiger and Red Volume releases, the Budapest resident does something rather fresh for his inaugural Boka plate, utilising discordant melodies rather than standard mid-range grot, to produce a brace of welly smashers; a thoroughly refreshing approach for those hooked on the heavy sound.
Harry Craze – Wa6 – Deep Medi
Some tunes really hit you in the soul receptors, and ‘Wa6′ by West Londoner and anti-socialite Harry Craze blows dust off the 45, and moistens the eyeballs. If J Dilla made dubstep, you’d get the same feeling; sweet strings bounce off mood-drenched synths and circulate the warmth.
Nina Kravitz/Efdemin – Hotter Than July – Naif
Kravitz impresses with a tracky house tool, while perhaps unsurprisingly, Efdemin takes it deeper, with a blissed out, almost Ibizan vocal at the heart of his sensuous tech house.
Aubrey – Aqua Warrior – A7
After a long hiatus, ’90s tech house hero Aubrey returns. The freaky outer space rhythms on the title track, with its trippy blips and bleeps, and the wired disco techno of ‘Beat The Clock’ both show that not much has changed chez Aubrey
Dan Curtin – Other – Mobilee
It’s testament to the range of Dan Curtin’s work that he’s still releasing vital house music a good 15 years after his debut.
Agoria – Solarized – Infine/Different
Under most circumstances, the combination of opera singers and underground house is a recipe for disaster, but it’s safe in Sebastien Devaud’s hands.
Orlando Voorn – Power Of Beauty – Divine
Voorn revisits ’90s US house on ‘Power’. ‘Love Break’ combines heavy drums, subtle disco filters – and echoes of that dreamy production feeling labels like Prescription excelled at – with Blake Baxter’s velvety tones. Meanwhile, the title track sees Voorn choose a topical dubby sound, propelled by a warbling, Derrick May-style bass; lastly, ‘Beat It Up’ surprises, a stripped-back jack track documenting a lewd encounter.

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